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Secrets built this republic; one truth could burn it down.

High Priestess Kerasea Vestal has spent her life hiding the truth―that she’s the last surviving heir of the magical bloodline the republic slaughtered. One wrong step could be fatal. But when a senator is brutally killed and a temple blade is found at the scene, all eyes turn to her.

Praetorian Torren Morvane has made a career of dragging liars into the light, and Kerasea is the one person he’s vowed to ruin. But locked on a mountain with a murderer, scheming senators, and a prophecy of death, he’s forced to work at her side. The closer he gets, the more dangerous the truth―and their attraction―becomes.

With traitors closing in and a nation on the verge of shattering, Kerasea and Torren must risk everything to uncover the real killer…even if it means trusting their sworn enemy.

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A proud culture oppressed for centuries. An island over-run by bestial gods. And a girl with the power to raise the fallen . . .

For three hundred years the wild island of Croí has been subject to the Empire of the Answering. Clans have been subjugated, their language outlawed, their religion reduced to the whisper of fugitive priests.

Until Croí's prayers are answered. The Gods return. Feral and majestic, they stride the land as colossi, throwing the Empire into chaos.

The dispossessed and the vengeful struggle for power. A ruthless priestess rallies the faithful, offering a simple choice - believe, or die - even as the empire's Queen makes the first moves in a long and dangerous game.

But for all their machinations, one woman will decide the fate of them all . . . Sister Wake, unwilling saint of the Goddess of Death.

The first in a high fantasyFantasy ist ein Teilbereich der Phantastik und leitet sich v... More trilogy, inspired by Ireland's history of English oppression. With the help of their newly arisen gods, Croí is finally about to fight back against the Empire of the Answering - but are the gods on their side, after all?

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Inspired by a real-life case and winner of the Bloody Scotland Pitch Perfect Award, Kate Foster's The Maiden is a remarkable story with a feminist revisionist twist, giving a voice to women otherwise silenced by history.

"In the end, it did not matter what I said at my trial. No one believed me."

Edinburgh, October 1679. Lady Christian Nimmo is arrested and charged with the murder of her lover, James Forrester. News of her imprisonment and subsequent trial is splashed across the broadsides, with headlines that leave little room for doubt: Adulteress. Whore. Murderess.

Only a year before, Christian was leading a life of privilege and respectability. So, what led her to risk everything for an affair? And does that make her guilty of murder? She wasn't the only woman in Forrester's life, and certainly not the only one who might have had cause to wish him dead . . .

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Meddy has spent her whole life as a footnote in someone else’s story. Out of place next to her beautiful, immortal sisters and her parents—both gods, albeit minor ones—she dreams of leaving her family’s island for a life of adventure. So when she catches the eye of the goddess Athena, who invites her to train as an esteemed priestess in her temple, Meddy leaps at the chance to see the world beyond her home.

In Athens’ colorful market streets and the clandestine chambers of the temple, Meddy flourishes in her role as Athena’s favored acolyte, getting her first tastes of purpose and power. But when she is noticed by another Olympian, Poseidon, a drunken night between girl and god ends in violence, and the course of Meddy’s promising future is suddenly and irrevocably altered.

Her locs transformed into snakes as punishment for a crime she did not commit, Medusa must embrace a new identity—not as a victim, but as a vigilante—and with it, the chance to write her own story as mortal, martyr, and myth.

Exploding with rage, heartbreak, and love, I, Medusa portrays a young woman caught in the cross currents between her heart’s deepest desires and the cruel, careless games the Olympian gods play.

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Shallow Hill is where souls suffer slow and miserable deaths.

When River McAllister escaped from Shallow Hill, she left her innocence behind--and some of her sanity, too. Now she's rebuilding her life with her dream man and life couldn't be better.

Ryan Fitzgerald is everything you'd want in a man. Attractive, rich, an aspiring lawyer, and would do anything to keep River. But that's not the only thing that attracts her. It's his attentiveness, his possessiveness... maybe not so much his temper.

When her relationship takes a dark turn, Ryan's estranged brother, Mako, is the only one who sees it. He knows exactly what Ryan is capable of, and it's not the first time he had to be a knight in shining armor.

River came from Shallow Hill, though. She's never needed saving before. What Mako doesn't see, is that River is perfectly capable of taking care of herself.

The only one who should be scared is Ryan.

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The greatest literary landmark of antiquity masterfully rendered by the most celebrated translator of our time.

When Emily Wilson’s translation of The Odyssey appeared in 2017―revealing the ancient poem in a contemporary idiom that was “fresh, unpretentious and lean” (Madeline Miller, Washington Post)―critics lauded it as “a revelation” (Susan Chira, New York Times) and “a cultural landmark” (Charlotte Higgins, Guardian) that would forever change how Homer is read in English. Now Wilson has returned with an equally revelatory translation of Homer’s other great epic―the most revered war poem of all time.

The Iliad roars with the clamor of arms, the bellowing boasts of victors, the fury and grief of loss, and the anguished cries of dying men. It sings, too, of the sublime magnitude of the world―the fierce beauty of nature and the gods’ grand schemes beyond the ken of mortals. In Wilson’s hands, this thrilling, magical, and often horrifying tale now gallops at a pace befitting its legendary battle scenes, in crisp but resonant language that evokes the poem’s deep pathos and reveals palpably real, even “complicated,” characters―both human and divine.

The culmination of a decade of intense engagement with antiquity’s most surpassingly beautiful and emotionally complex poetry, Wilson’s Iliad now gives us a complete Homer for our generation.

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A young couple find themselves haunted by a string of gruesome murders committed along an old deserted road in this terrifying new novel.

July 1995. April and Eddie have taken a wrong turn. They’re looking for the small resort town where they plan to spend their honeymoon. When they spot what appears to a lone hitchhiker along the deserted road, they stop to help. But not long after the hitchiker gets into their car, they see the blood seeping from her jacket and a truck barreling down Atticus Line after them.

When the hitchhiker dies at the local hospital, April and Eddie find themselves in the crosshairs of the Coldlake Falls police. Unexplained murders have been happening along Atticus Line for years and the cops finally have two witnesses who easily become their only suspects. As April and Eddie start to dig into the history of the town and that horrible stretch of road to clear their names, they soon learn that there is something supernatural at work, something that could not only tear the town and its dark secrets apart, but take April and Eddie down with it all.

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A grim and gothic new tale from New York Times bestselling author Alix E. Harrow about a small town haunted by secrets that can't stay buried and the sinister house that sits at the crossroads of it all.

Eden, Kentucky, is just another dying, bad-luck town, known only for the legend of E. Starling, the reclusive nineteenth-century author and illustrator who wrote The Underland--and disappeared. Before she vanished, Starling House appeared. But everyone agrees that it’s best to let the uncanny house―and its last lonely heir, Arthur Starling―go to rot.

Opal knows better than to mess with haunted houses or brooding men, but an unexpected job offer might be a chance to get her brother out of Eden. Too quickly, though, Starling House starts to feel dangerously like something she’s never had: a home.

As sinister forces converge on Starling House, Opal and Arthur are going to have to make a dire to dig up the buried secrets of the past and confront their own fears, or let Eden be taken over by literal nightmares.

If Opal wants a home, she’ll have to fight for it.

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There is one version of my story that everyone knows. And then there is the truth. Once I loved a boy called Peter Pan.

Peter brought me to his island because there were no rules and no grownups to make us mind. He brought boys from the Other Place to join in the fun, but Peter’s idea of fun is sharper than a pirate’s sword. He wants always to be that shining sun that we all revolve around. He’ll do anything to be that sun. Peter promised we would all be young and happy forever.

Peter will say I’m a villain, that I wronged him, that I never was his friend.

Peter Lies.

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Der Killer und das Mädchen

Billy ist Kriegsveteran und verdingt sich als Auftragskiller. Sein neuester Job ist so lukrativ, dass es sein letzter sein soll. Danach will er ein neues Leben beginnen. Aber er hat sich mit mächtigen Hintermännern eingelassen und steht schließlich selbst im Fadenkreuz. Auf der Flucht rettet er die junge Alice, die Opfer einer Gruppenvergewaltigung wurde. Billy muss sich entscheiden. Geht er den Weg der Rache oder der Gerechtigkeit? Gibt es da einen Unterschied? So oder so, die Antwort liegt am Ende des Wegs.