A spare yet eloquent, bittersweet yet inspiring story of a man and a woman who, in advanced age, come together to wrestle with the events of their lives and their hopes for the imminent future.

In the familiar setting of Holt, Colorado, home to all of Kent Haruf's inimitable fiction, Addie Moore pays an unexpected visit to a neighbor, Louis Waters. Her husband died years ago, as did his wife, and in such a small town they naturally have known of each other for decades; in fact, Addie was quite fond of Louis's wife. His daughter lives hours away in Colorado Springs, her son even farther away in Grand Junction, and Addie and Louis have long been living alone in houses now empty of family, the nights so terribly lonely, especially with no one to talk with.

Their brave adventures - their pleasures and their difficulties - are hugely involving and truly resonant, making Our Souls at Night the perfect final installment to this beloved writer's enduring contribution to American literature.

Daemons Leben hat jeglichen Wert verloren, seit Katy von Daedalus festgehalten wird. Auch Katy ist verzweifelt. Täglich muss sie neue Experimente über sich ergehen lassen. Trotzdem beginnt sie zu ahnen, dass Daedalus nicht nur schlechte Seiten hat. Und sind die Lux wirklich so friedlich, wie sie es bisher immer annahm? Wer sind hier die Guten und wer die Bösen? Katy ist fest entschlossen, eine Antwort auf diese Fragen zu finden - doch dann könnte es bereits zu spät sein. Vor allem, wenn Daemon bis dahin nicht wieder an ihrer Seite ist ...

With the sweeping romance of Passenger and the dark fantasy edge of This Savage Song, this standout YA contemporary fantasy debut from Vanessa Len, is the first in a planned trilogy.

It should have been the perfect summer. Sent to stay with her late mother’s eccentric family in London, sixteen-year-old Joan is determined to enjoy herself. She loves her nerdy job at the historic Holland House, and when her super cute co-worker Nick asks her on a date, it feels like everything is falling into place.

But she soon learns the truth. Her family aren’t just eccentric: they’re monsters, with terrifying, hidden powers. And Nick isn’t just a cute boy: he’s a legendary monster slayer, who will do anything to bring them down.

As she battles Nick, Joan is forced to work with the beautiful and ruthless Aaron Oliver, heir to a monster family that hates her own. She’ll have to embrace her own monstrousness if she is to save herself, and her family. Because in this story . . .

. . . she is not the hero.

Hirka ist in Ymsland aufgewachsen. Mit fünfzehn findet sie heraus, dass sie ein Odinskind ist – ein schwanzloses Wesen aus einer anderen Welt. Von nun an ändert sich alles: Sie weiß weder, wer sie ist, noch, wohin sie gehört. Sie weiß nur, dass ihr Leben auf dem Spiel steht. Aber das ist nur der Anfang, denn Hirka ist nicht die einzige Fremde, die es durch die Steintore nach Ym verschlagen hat ... ODINSKIND ist der furiose Auftakt der RABENRINGE-Trilogie, das große nordische Epos über eine Welt voller Vorurteile, Machtkämpfe und Liebe.

Oliver is an orphan living on the dangerous London streets with no one but himself to rely on. Fleeing from poverty and hardship, he falls in with a criminal street gang who will not let him go, however hard he tries to escape.

One of the most swiftly moving and unified of Charles Dickens’s great novels, Oliver Twist is also famous for its re-creation–through the splendidly realized figures of Fagin, Nancy, the Artful Dodger, and the evil Bill Sikes–of the vast London underworld of pickpockets, thieves, prostitutes, and abandoned children. Victorian critics took Dickens to task for rendering this world in such a compelling, believable way, but readers over the last 150 years have delivered an alternative judgment by making this story of the orphaned Oliver Twist one of its author’s most loved works.

A fae girl with a human heart.

A Seelie Queen with a penchant for stealing mortals.

And an Unseelie King who will have to give up his throne.

On the coast of Georgia rests a small southern town where faeries still take changelings. Faye lost her mother to the Folk, but has she spent her whole life longing for a glimpse—however brief—behind the veil.

When Faye finds her way in, she also finds the truth of why the dark and alluring world of the Folk has always called to her: She's half-faerie, and heiress to the Dark Court's throne.

When the rival court steals her best friend, she'll have to claim her crown to get her back. But that means learning how to use her glamour so she can face three deadly trials—and not falling for the dark and brooding king she's meant to be replacing, or the nymph-turned-knight teaching her to fight.

Die Welt am Abgrund

Der ehemalige Elite-Marine John Clark und seine multinationale Spezialtruppe haben es mit einem Gegner zu tun, der skrupellos und weltweit agiert. Sollte er Erfolg haben, würde es das Ende für den Großteil der Menschheit bedeuten.

Homers ›Odyssee‹ handelt von der verworrenen Reise des Odysseus nach der Schlacht um Troja. Durch seine Beharrlichkeit und seinen Einfallsreichtum gelingt es dem Helden, am Ende doch noch nach Griechenland heimzukehren. Die imaginative Kraft dieser über 2500 Jahre alten Geschichte besticht durch ihre bilderreiche Schönheit und ist bis heute eine der einflussreichsten Erzählungen der abendländischen Kultur.

Bei dieser Ausgabe handelt es sich um eine urheberrechtsfreie Ausgabe..

Sixteen-year-old Bri wants to be one of the greatest rappers of all time. Or at least make it out of her neighborhood one day. As the daughter of an underground rap legend who died before he hit big, Bri’s got big shoes to fill. But now that her mom has unexpectedly lost her job, food banks and shutoff notices are as much a part of Bri’s life as beats and rhymes. With bills piling up and homelessness staring her family down, Bri no longer just wants to make it—she has to make it.

On the Come Up is Angie Thomas’s homage to hip-hop, the art that sparked her passion for storytelling and continues to inspire her to this day. It is the story of fighting for your dreams, even as the odds are stacked against you; of the struggle to become who you are and not who everyone expects you to be; and of the desperate realities of poor and working-class black families.

Shanghai is under siege in this captivating and searingly romantic sequel to These Violent Delights, which New York Times bestselling author Natasha Ngan calls “deliciously dark.”

The year is 1927, and Shanghai teeters on the edge of revolution.

After sacrificing her relationship with Roma to protect him from the blood feud, Juliette has been a girl on the warpath. One wrong move, and her cousin will step in to usurp her place as the Scarlet Gang’s heir. The only way to save the boy she loves from the wrath of the Scarlets is to have him want her dead for murdering his best friend in cold blood. If Juliette were actually guilty of the crime Roma believes she committed, his rejection might sting less.

Roma is still reeling from Marshall’s death, and his cousin Benedikt will barely speak to him. Roma knows it’s his fault for letting the ruthless Juliette back into his life, and he’s determined to set things right—even if that means killing the girl he hates and loves with equal measure.

Then a new monstrous danger emerges in the city, and though secrets keep them apart, Juliette must secure Roma’s cooperation if they are to end this threat once and for all. Shanghai is already at a boiling point: The Nationalists are marching in, whispers of civil war brew louder every day, and gangster rule faces complete annihilation. Roma and Juliette must put aside their differences to combat monsters and politics, but they aren’t prepared for the biggest threat of all: protecting their hearts from each other.