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Dies ist die Geschichte von Nelio, dem Straßenkind, dem kleinen Prinzen Afrikas. Nelio ist mit zehn Jahren vertrieben worden aus seinem Dorf, hat zusehen müssen, wie »revolutionäre« Banden seine Schwester getötet haben, ist durch den Dschungel in die Großstadt geflohen. Dort wird er zum Anführer einer Gruppe von Straßenkindern. Es gibt vieles, das sie verbindet: nichts zu besitzen, mit Widerwillen in die Welt geboren und hinausgeworfen zu sein in ein Elend, das grenzenlos ist. Nelios Auftrag ist es, ihnen Geschichten zu erzählen, Hoffnung zu streuen, Träume zu verteidigen und die Menschen daran zu erinnern, daß das Paradies auf keiner Landkarte verzeichnet ist und man es dennoch finden kann.

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In the tradition of the late great George Carlin, New York Times bestselling author and lead singer of Slipknot and Stone Sour Corey Taylor sounds off in hilarious fashion about the many vagaries of modern life that piss him off.

Whether it’s people’s rude behavior in restaurants and malls, the many indignities of air travel, eye-searingly terrible fashion choices, dangerously clueless drivers, and—most of all—the sorry state of much modern music, Taylor’s humor and insight cover civil society’s seeming decline—sparing no one along the way, least of all himself.

Holding nothing back and delivered in Taylor’s inimitable voice, You’re Making Me Hate You is a cathartic critique of the strange world in which we find ourselves.

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They are the Beautiful Ones, Loisail’s most notable socialites, and this spring is Nina’s chance to join their ranks, courtesy of her well-connected cousin and his calculating wife. But the Grand Season has just begun, and already Nina’s debut has gone disastrously awry. She has always struggled to control her telekinesis—neighbors call her the Witch of Oldhouse—and the haphazard manifestations of her powers make her the subject of malicious gossip.

When entertainer Hector Auvray arrives to town, Nina is dazzled. A telekinetic like her, he has traveled the world performing his talents for admiring audiences. He sees Nina not as a witch, but ripe with potential to master her power under his tutelage. With Hector’s help, Nina’s talent blossoms, as does her love for him.

But great romances are for fairytales, and Hector is hiding a truth from Nina — and himself — that threatens to end their courtship before it truly begins. The Beautiful Ones is a charming tale of love and betrayal, and the struggle between conformity and passion, set in a world where scandal is a razor-sharp weapon.

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A propulsive, electrifying and enraging retelling of the life of Greek goddess Hekate, child of war turned all-powerful goddess of witchcraft and necromancy, by internationally bestselling poet Nikita Gill.

Born into a world on fire, Godling Hekate has never known safety. After her parents are on the losing side of the war between the ruling Titans and new Olympian Gods, Hekate is taken by her mother Asteria to the Underworld, where Styx and Hades agree to raise her. Meanwhile, Asteria is pursued across the world by Zeus and Poseidon and, to escape their clutches, transforms herself into an island in a stormy sea.

Orphaned and alone, Hekate grows up amongst the horrors and beauties of the Underworld, desperate to find her divine purpose and a sense of belonging in the land of the dead.

When Hekate finally uncovers her powers and ascends to Goddess status, she realises that even the most powerful Olympians are terrified of her. But when immortal war breaks out again, threatening to destroy everything from Mount Olympus to the Underworld itself, the Goddess of witchcraft and necromancy is the only one who can bring the deadly conflict to an end. . .

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For fans of Madeline Miller and Pat Barker, a debut fantasyFantasy ist ein Teilbereich der Phantastik und leitet sich v... More novel set in Mycenaean Greece that explores the myth of Persephone through the lens of mother-daughter dynamics.

Kore has lived her entire life under her resentful mother Demeter’s shadow, trying her hardest to please a woman grown bitter by betrayal. With her self-esteem in tatters and deliberately isolated by her mother, it’s no surprise that Kore is flummoxed when she meets a collection of otherworldly women – the Goddesses of Olympus – who tell her that her mother is in truth a Goddess herself. Kore tells them her preferred name, Persephone, and hopes they will not only have answers for her new questions, but the friendship and love she craves. Instead, an imposing and stoic figure emerges from a nearby cave on a magical chariot and snatches Persephone away.

Upon realizing she has been taken to the Underworld by Hades, who desires she become his queen, Persephone vows to escape.

Demeter, enraged upon finding her daughter taken, goes to extreme lengths to reclaim her – putting the lives of all humanity, and even the gods, at risk.

Angie Paxton breathes new life into a myth that has been reshaped, adapted, and loved since Homer's Hymn to Demeter. Seeds is a deeply romantic story of two lonely souls finding one another, the pressure put on children to forgive their parents’ abuse, and the power of resentment.

Content References to child abuse, animal death, starvation, forcible confinement

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From the national bestselling author of Alice comes a postapocalyptic take on the perennial classic "Little Red Riding Hood"...about a woman who isn't as defenseless as she seems.

It's not safe for anyone alone in the woods. There are predators that come out at night: critters and coyotes, snakes and wolves. But the woman in the red jacket has no choice. Not since the Crisis came, decimated the population, and sent those who survived fleeing into quarantine camps that serve as breeding grounds for death, destruction, and disease. She is just a woman trying not to get killed in a world that doesn't look anything like the one she grew up in, the one that was perfectly sane and normal and boring until three months ago.

There are worse threats in the woods than the things that stalk their prey at night. Sometimes, there are men. Men with dark desires, weak wills, and evil intents. Men in uniform with classified information, deadly secrets, and unforgiving orders. And sometimes, just sometimes, there's something worse than all of the horrible people and vicious beasts combined.

Red doesn't like to think of herself as a killer, but she isn't about to let herself get eaten up just because she is a woman alone in the woods...

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The gripping true story, told here for the first time, of the Last Call Killer and the gay community of New York City that he preyed upon.

The Townhouse Bar, midtown, July 1992: The piano player seems to know every song ever written, the crowd belts out the lyrics to their favorites, and a man standing nearby is drinking a Scotch and water. The man strikes the piano player as forgettable.

He looks bland and inconspicuous. Not at all what you think a serial killer looks like. But that’s what he is, and tonight, he has his sights set on a gray haired man. He will not be his first victim.

Nor will he be his last.

The Last Call Killer preyed upon gay men in New York in the ‘80s and ‘90s and had all the hallmarks of the most notorious serial killers. Yet because of the sexuality of his victims, the skyhigh murder rates, and the AIDS epidemic, his murders have been almost entirely forgotten.

This gripping true-crime narrative tells the story of the Last Call Killer and the decades-long chase to find him. And at the same time, it paints a portrait of his victims and a vibrant community navigating threat and resilience.

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From the New York Times bestselling author of »A Long Petal of the Sea« comes a passionate and inspiring meditation on what it means to be a woman.

»When I say that I was a feminist in kindergarten, I am not exaggerating,« begins Isabel Allende. As a child, she watched her mother, abandoned by her husband, provide for her three small children without "resources or voice." Isabel became a fierce and defiant little girl, determined to fight for the life her mother couldn't have.

As a young woman coming of age in the late 1960s, she rode the second wave of feminism. Among a tribe of like-minded female journalists, Allende for the first time felt comfortable in her own skin, as they wrote "with a knife between our teeth" about women's issues. She has seen what the movement has accomplished in the course of her lifetime. And over the course of three passionate marriages, she has learned how to grow as a woman while having a partner, when to step away, and the rewards of embracing one's sexuality.

So what feeds the soul of feminists--and all women--today? To be safe, to be valued, to live in peace, to have their own resources, to be connected, to have control over our bodies and lives, and above all, to be loved. On all these fronts, there is much work yet to be done, and this book, Allende hopes, will »light the torches of our daughters and granddaughters with mine. They will have to live for us, as we lived for our mothers, and carry on with the work still left to be finished.«

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You know her name, you know her story. Just not the right one...

Within the depths of the Underworld the formidable snake-haired Gorgon has finally had enough. Tired of being eternally and unjustly brandished a villain, Medusa has found the courage to face her tragic past and speak out. Determined to expose the centuries of lies surrounding her name, Medusa gives unparalleled insight into her cursed life, from her earliest memories and abandonment at birth, right through to her tragic and untimely death at the hands of the hero Perseus. Through telling her story, Medusa finally reveals the lost truth behind antiquity’s most infamous monster.

Medusa breathes new life into an ancient story and echoes the battle that women throughout millennia have continued to wage – the opportunity to simply be heard.

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Joss Brevyn is the last heir in a long line of executioners. Although a woman, the same rules still apply: kill the condemned within three tries, or be tortured and killed. Joss has yet to miss her mark, and even though she spends her free time as a healer, the town views her only as a deathsman. So when she and her assistant, Henrik, stumble upon a beaten man on the way home, both are hesitant to reveal who they really are. The only problem is, so is he.

Aric Kayden has seen better days. After failing to assassinate his last victim, he's left bleeding on the side of the road until he's found and taken in by Joss and Henrik, two seemingly innocent locals. Healing from his wounds, Aric is still haunted by the target he didn't kill, especially by those who paid him. Despite the undeniable attraction between him and Joss, Aric can't bring himself to tell the truth: that the masked figures who hired him knows where he is, and his original target is the mysterious prisoner who was recently sentenced to death. Forced to uphold the deal, Aric's only job now is to make sure the execution goes as planned and eliminate whoever intervenes.

Bound by their duties, both Joss and Aric assume this next kill will be easy. But then one of them has a change of heart, sparking a chain reaction that could leave one—or both—of them dead.