At what point was saving people ridiculous and not at all heroic?

Prince Aurelius of the Seelie realm has always been the hero, so it's no real surprise to him when a final act of heroism lands him in fae hell with one final task: give Caly's sister, Ana, the rest of her powers and take her to the Fates in Moirai.

It is, however, a surprise to learn that Ana isn't the eight-year-old child who died in that car with Caly so many years ago. Instead, she is a full-grown, beautiful woman – with plans to take over the Underworld as soon as she can get the pendant holding her powers from Eli.

Though Caly and Mendax can still communicate with Eli, they're of little help, as caught up as they are in running the united Fae Kingdom. So, determined to save Ana from herself, Eli embarks on a journey through the Ten Tiers of Tartarus, while being chased by the woman he can't seem to quell his attraction to. Will he make it to the other side with the pendant and remain the hero? Or will he succumb to his desires and doom them both?

The pulse-pounding finale to the Infatuated Fae series concludes this fiery fantasy tale – a rich and satisfying read for fans of dark forbidden romance and enemies to lovers novels.

Ein unerwartetes Geschenk hat die Macht, alles zu verändern.
Es zu behalten, könnte Diem das Leben kosten.
Der drohende Krieg steht vor Diems Haustür, zusammen mit einer neuen Entdeckung, die ihr Volk retten könnte. Um sie zu nutzen, muss sie dreißig Tage überleben und dazu einen Pakt mit den Menschen schließen, die sie am meisten der königlichen Familie des Hauses Corbois. Doch als sie in die Welt der Elite der Descended eintaucht, stellt Diem schnell fest, dass Gut und Böse nicht so eindeutig sind, wie sie scheinen. Alte Vorurteile werden in Frage gestellt, und neue Loyalitäten lassen die Grenze zwischen Freund und Feind verschwimmen. Währenddessen wird ihre Mutter immer noch vermisst, und die Geheimnisse, die sie hinterlassen hat, können nicht länger ignoriert werden – ebenso wenig wie die Hüter und ihre Forderungen. Gefangen zwischen einer alten Flamme und einem neuen Funken muss Diem sich der Tatsache stellen, wer sie ist und was sie will, bevor die Zeit abläuft. Der Krieg steht vor der Tür, und auf allen Seiten warten gefährliche Feinde ... aber die tödlichste Schlacht, die Diem bevorsteht, könnte die um ihr Herz sein.

Der Plan: Heirat. Das Komplott: ein Königreich zu Fall bringen. Das Ziel: die Weltherrschaft.

Seit dem Tag ihrer Geburt ist das Schicksal der drei Prinzessinnen Sophronia, Daphne und Beatriz vorbestimmt: Sie werden eines Tages Königinnen sein. Und nun, kurz nach ihrem sechzehnten Geburtstag, müssen die drei ihr Heimatland verlassen und ihre Prinzen heiraten. Die Drillinge scheinen die perfekten Bräute zu sein: wunderschön, intelligent und vor allem sittsam. Eine fatale Fehleinschätzung, denn Sophie, Daphne und Beatriz sind keine Unschuldslämmer. Seit ihrer Kindheit wurden die drei in Täuschung, Verführung und Waffenkunst unterrichtet. Und das mit einem einzigen Ziel – die Monarchien ihrer Nachbarländer zu stürzen. Doch das Leben außer Landes stellt jede der drei vor ihre ganz eigenen Probleme und während nach und nach dunkle Wahrheiten ans Licht kommen, müssen sie sich fragen: Werden sie dem Plan treu bleiben? Oder müssen sie lernen, dass sie niemandem vertrauen können – nicht einmal einander?

Magic has long been outlawed in Auréal. Odile has always know she'd be the one to restore it.

Raised by a sorcerer, Odile has spent years preparing for the heist of a lifetime. It's perfectly simple: impersonate a princess, infiltrate the palace, steal the enchanted crown and restore magic to the kingdom.

But when the king is unexpectedly murdered, she's forced to recruit the help of Marie, the real princess, and the two begin to unravel a web of lies and deceit that leaves Odile uncertain of whom to trust.

Soon though Odile must decide -- her mission or the girl she's falling for?

The fate of the kingdom depends on her making the right choice...

Try as she might, anthropologist Marcella Gibbons can't escape the fact that she's a dimidium, one half of a formidable pair of Magicians, forever tied together to enable the other's powers. After a tumultuous final year at Seinford and Brown College of Agriculture (and Magic) in rural New Mexico, Cella felt more than a little uneasy about returning to the sun-drenched desert campus ever again. She'd cut ties with her other half—the charming and rugged rancher Max Middlemore—and sworn off Magic, academia, and heartache for good.

Until Max turns up at her door, grinning under his cowboy hat for one last favor. Something is shifting at her alma mater, something bigger than anyone understands. One student is dead. Another is floating midair in the infirmary, growling guttural nonsense and terrifying the staff. Their best, perhaps only, chance to intervene requires Cella and Max to work together. But the origins of the disturbances lie centuries ago. To unravel them, Cella will have to confront the truth about her past—and Max. Because she might be challenging a power she could never rival alone . . .

The Kingdom of Morrighan is steeped in tradition and the stories of a bygone world, but some traditions Lia can't abide. Like having to marry someone she's never met to secure a political alliance.

Fed up and ready for a new life, Lia escapes to a distant village on the morning of her wedding. She settles in among the common folk, intrigued when two mysterious and handsome strangers arrive - and unaware that one is the jilted prince and the other an assassin sent to kill her. Deceptions swirl and Lia finds herself on the brink of unlocking perilous secrets - secrets that may unravel her world - even as she feels herself falling in love.

WELCOME TO THE RAN EMPIRE.
Where winged serpents fly through the skies.
Giant leopards prowl the earth.
And witches burn blue as they die.

Shakti is a witch, a mayakari trained to commune with nature and never to cause harm. But her people have been hunted by Emperor Adil’s brutal reign for decades. Will she betray their most sacred laws and choose violence to save them?

Prince Ashoka was raised by his father, the emperor, to rule the world with cruelty and fear. And yet he can’t even kill a deer and detests his father’s brutality. He must find a way to tear apart his father’s violent legacy before succumbing to it.

Together they are powerful.
But can the son of an oppressor and the oppressed fix a broken world?
Before they are crushed by it …

From holy cup comes holy light;
The faithful hands sets world aright.
And in the Seven Martyrs’ sight,
Mere man shall end this endless night.

Gabriel de León has lost his family, his faith, and the last hope of ending the endless night—his surrogate daughter, Dior. With no thought left but vengeance, he and a band of loyal brothers journey into the war-torn heart of Elidaen to claim the life of the Forever King.

Unbeknownst to the Last Silversaint, the Grail still lives—speeding towards the besieged capital of Augustin in the frail hope of ending Daysdeath. But deadly treachery awaits within the halls of power, and the Forever King’s legions march ever closer. Gabriel and Dior will be drawn into a final battle that will shape the very fate of the Empire, but as the sun sets for what may the last time, there will be no one left for them to trust.

Not even each other.

Some families pass down heirlooms. Others pass down secrets that rot the foundation of every memory.

The house was never just a house.
The voices were never just in her head.
And the truth? It was buried under years of denial, silence, and the sweet-sick scent of lavender on her grandmother’s vanity.

When Delilah Monroe returns home to care for her mother—an Alzheimer’s patient whose memories flicker like a dying bulb—she walks back into a maze of half-truths, redacted family history, and rooms that seem to remember more than she does. The doors creak in patterns. The mirrors reflect things that aren’t there. And her mother’s mutterings carry the weight of old crimes dressed as bedtime stories.

What begins as caregiving quickly descends into obsession. Delilah’s search for clarity unearths a legacy soaked in gaslight and grief, where lineage is both weapon and wound. As the house reveals its hidden diaries, locked drawers, and photo albums with faces violently cut out, one question burns hotter than the

Who was the mad one? Her mother… or the woman she became to survive her?

Told in haunting prose and fractured timelines, The Lies We Inherit is a psychological gothic that doesn't just explore generational trauma—it eviscerates it. Angela Ruth Key delivers a debut soaked in unease and wrapped in the twisted intimacy of inherited madness. This is a story where the past is not past, and forgetting is more dangerous than remembering.

The walls talk.
The garden watches.
And every truth smells like something burning.

Dark. Deadly. Irresistible.

Cameron Mortem has a problem―he can't stop killing his partners. Officially labeled clinically insane, he's also one of the most lethal assets in the Dark Forces, a brutal underground military operation built on obedience, survival, and silence. But an experimental drug has fractured his control, making him a liability whenever someone else is on the field. As punishment, he's thrown back into the Under Trials―a merciless boot camp designed to break the weak and sharpen the ruthless.

His one directive? Don't kill the new girl.

Emery Maves narrowly escapes a death sentence after her own brutal crimes, only to find herself forced into the same violent world. Assigned to Cameron, she's expected to survive the Trials and her partner's unstable nature. But Emery quickly realizes there's more to Cameron than bloodlust and body counts. Beneath the madness lies a terrifying allure―and a strange, dangerous tenderness.

As the Trials push them to their limits, Emery must navigate the brutal demands of the Dark Forces while resisting the pull of a man who could just as easily kill her as protect her. And Cameron must fight the one urge he's never been able to overcome.

Their bond is intoxicating, chaotic, and born of violence. And if it doesn't destroy them both, it might just save them.